«The neri of Sgamar, sketchbooks, inks, and drawings feverishly accumulated along a path still being traced and liable to sudden, forceful deviations, gather, like a medieval bestiary with echoes of Leonardo and Dürer, marvellous aquatic creatures, fish with large eyes—shared by some of his extraordinary human faces—flying donkeys, skeletal prehistoric birds, all foretelling the imminence of a new flood for a humanity that has yet to know redemption,» comments art historian Paolo Arrigoni.
